Mad World Pilot episode: Act One.
The zombies have arrived but the sleepy desert town of Sierra Verde is in for a rude wakening on this quiet morning.
If you haven't read the opening teaser scene click here: Mad World Pilot Episode Teaser
ACT ONE
EXT.
BORDER PATROL SUBSTATION – LATE MORNING
Two border
patrol agents stand outside the substation. John’s SUV swerves into the parking lot. They hurry over to John’s vehicle.
JOHN
Where’s
the ambulance?
AGENT 1
It’s on its way. They were running a patient to San
Marco’s Hospital.
JOHN
Shit! This guy is messed up! His brother said he was attacked by
someone.
The others
agents look over John’s shoulder as he opens the door.
AGENT 2
I don’t think it would have
mattered, John. He’s dead.
Anthony
lays slumped off the backseat.
JOHN
Damn.
Carlos
is crying into his hands in the passenger seat.
INT.
BORDER PATROL STATION.
Carlos sits on a small bench outside
of a holding cell.
John
can be heard down the hall in his supervisor’s office.
SUPERVISOR
The brother will take the body back
with him. From what he said they
lived in Mexico City and left shortly after the earthquake hit.
John peers
down the hall at Carlos who is staring at his lap.
JOHN
Where’s
the body now?
SUPERVISOR
Dillon and Steven are getting ready
to move it.
JOHN
Dillon?! That asshole? I’ll go
help.
SUPERVISOR
You should probably go home, John,
take the day off.
JOHN
I will after I make sure Dillon
doesn’t do anything stupid.
John
walks out of the station.
EXT.
BORDER PATROL STATION
DILLON
SPRUCE, 32, a large, muscular border patrol agent. His BRIGHT RED MOUSTACHE makes him look like a red
neck. He stands next to John’s
vehicle smoking a cigarette.
GARY
EVANS, 26, a clean cut border patrol agent, walks with John across the parking
lot.
GARY
How are you doing John?
JOHN
Fine. Let’s get this guy wrapped up.
DILLON
Come on, ladies, this dirty spic
won’t move himself.
GARY
Spruce, why are you such a douche
bag?
Dillon
SNAPS ON a pair of gloves and chuckles, ash dropping off his cigarette.
DILLON
I take it
you didn’t catch the van though, did you Riley? Loser.
(beat)
Let’s do
this already.
Dillon
throws open the door.
DILLON
Jesus Christ!! Someone really tore this guy up.
John opens
the other door.
DILLON
His brother said a person did this?
JOHN
Yea, said he bit him.
Gary
lays a body bag on the ground behind Dillon.
John
reaches in to push Anthony’s limp body toward Dillon. The body moves on its own
As Dillon
uses all his strength to drag Anthony’s body off the bench. He begins to lower it but then lets it
fall into the bag.
JOHN
JESUS CHRIST, SPRUCE!! YOU STUPID
JACKASS!!!
Gary rolls
Anthony into the body bag. He
situates the body.
Dillon
pushes Gary out of the way.
DILLON
You
don’t have to tuck him into bed, just get him in the damn bag and zip it up.
Dillon
pulls the sides of the bag around Anthony and begins to zip it up when
John
slams into Dillon.
Both roll
on the asphalt, Dillon blocks John’s angry blows from hitting his face.
DILLON
WHAT THE HELL!!! GET OFF ME!!!
Gary
follows them as they roll across the parking lot.
DILLON
I’M WARNING YOU RILEY, GET OFF ME . . . Oh Screw it.
Dillon’s
huge muscular body suddenly pins John on the ground. Methodically he begins to beat John.
Gary
attempts to break them up. He
successfully pulls Dillon off of John.
Dillon staggers away from John and into the waiting arms of Anthony.
INT.
BORDER PATROL STATION
Carlos
still sits in the hallway. He
continues to stare into his lap.
The border
patrol supervisor sits at his desk.
He scans paperwork that litters his desktop.
SFX.
GUNSHOTS
The sound
of the Supervisor’s chair falling over echoes in the station.
EXT.
BORDER PATROL STATION
Dillon
holsters his gun. He pulls a cigarette pack from his shirt pocket, slowly
walking back to the station entrance.
Blood drips from his elbow as he lights a cigarette.
SUPERVISOR
WHAT THE HELL IS GOING ON OUT
HERE???
DILLON
God damn Mexican wasn’t dead. He just attacked us.
The
supervisor looks over at John and Gary.
Gary is helping John out from underneath Anthony’s headless body. Blood covers both of them.
SUPERVISOR
John, you alright?
JOHN
Yea, he just bit my hand.
Gary helps
John up. John’s left hand bleeds
from a vicious bite.
CUT TO
INT. SIERRA VERDE
HOSPITAL – EARLY AFTERNOON
DR. CARL PUNTZ, 60, puts the finishing
wraps on John’s hand. John sits
examining the wrappings. John’s wife,
REBECCA RILEY, 22, holds John’s other hand.
CARL
If there is any sign of infection come
back. In the meantime I will give you some antibiotics and that should take
care of it.
Carl fills out a prescription for
antibiotics and hands it to Rebecca.
She smiles. Her eyes are
red from crying.
REBECCA
Thanks, Doctor Puntz.
CARL
No problem. You’re lucky John, Dillon’s forearm took a lot more
stitches. That guy really took a
chunk out of him.
JOHN
Come on hon. We have to
let Carl get back to saving more important lives. Thanks doc.
John extends his left
hand to Carl. They shake.
JOHN
I don’t get it though, doc. The guy was dead. He didn’t have a pulse when we pulled
into the parking lot.
Carl really isn’t listening as he’s filling
out the rest of John’s Chart.
CARL
He may have just been
unconscious or in shock from the blood loss.
JOHN
But I checked his pulse, doc.
CARL
It could have been extremely faint, don’t
worry about it, John. It’s
Thursday, you have my permission to start your weekend early.
EXT. SIERRA VERDE
REGIONAL HOSPITAL
John and Rebecca walk out of the Sierra
Verde regional hospital emergency room.
Stretched north of the hospital is
downtown. Cars line the streets in
front of small mom and pop restaurants and fast food places are busy. It’s a typical small town lunch hour.
A large red and white suburban stops at a
red light. Inside is DAVID MINDEL,
33. He waves at people as they honk
and wave at him.
NPR afternoon news babbles on his
radio. The light turns green. In the middle of downtown is one of the
town’s oldest buildings: Sierra Verde Public Library.
David drives his suburban around the
corner. He stops at a small drive
way at the rear of the library.
The drive slopes down to a garage door. He backs his truck down to the door.
David gets out and unlocks the door. He lifts it open to the library
basement.
David turns back to his suburban and pulls
the back doors of the truck open.
Eight very large boxes overflowing with books sit on the floor of the
truck.
A figure can be seen moving slowly out of
the darkness of the basement.
David is preoccupied with the boxes the figure approaches. David hefts one of the boxes into his
arms and turns to be startled by
MARGARET YANDEL, 73,
tries to take the box from David.
MARGARET
Let me help you with that David.
DAVID
Dang, Margaret you scared me.
MARGARET
(taking top box)
My mother use to say you only get startled
if you have something to hide.
What are you guilty of?
DAVID
Well, I did drive through a yellow light on
my way here.
MARGARET
Well that’s it right there.
Margaret looks over some
of the boxes.
MARGARET
Nora Larson called. She’ll be home from college this
weekend if we need her help.
DAVID
Perfect. It’ll be good to see her.
Margaret eyes David. He turns just in time to see it.
DAVID
(continues)
She can help you go
through these books.
MARGARET
MmmmHmmm. You are such a dirty old man, David.
The basement is the nonfiction section of
the library. Book shelves fill the
large space. In one corner is a
locked cage. Inside are boxes
marked ‘MRE’ and a couple of shelves of miscellaneous gear and a rack of 10
five gallon water jugs.
Margaret leans against a bookshelf, sweat
on her forehead, as David finishes unloading the truck.
DAVID
You can go back up, Margaret. I can get the
rest of these.
MARGARET
Alright. Call me down if you need help.
Margaret walks through the enormous
basement. Her footsteps are quiet
on the carpet. She makes her way
through the shelves to the large staircase.
MARGARET
I have sandwiches and fresh coffee up here
when you finish.
DAVID
Okay.
Margaret emerges from the large staircase
rather quickly. Her footsteps echo
amongst the shelves. She makes her
way around to the large circular customer service desk in the middle of the
library.
Suddenly the front doors burst open and
STEFAN BAUER, 13, stumbles through the large thick doors.
Startled Margaret runs to see who it is.
MARGARET
Stevie?! What are you doing?!
Stefan runs to Margaret.
STEFAN
Help me Margaret! They’re
going to kill me!!!
Three other boys run into the library. They see Stefan and continue toward
him. Margaret steps between Stefan
and the boys.
MARGARET
You boys better get out of here before I
call the cops.
The ringleader, CHARLES DETEARUVE, 15,
points at Stefan and then drags the finger across his neck.
CHARLES
Whatever, this library won’t keep you safe
forever Stevie.
You have to come out and I’ll be waiting.
Charlie follows his
buddies out of the library.
Margaret looks down at Stefan. She walks back to desk.
MARGARET
Go close those doors.
(beat)
What are you doing out of
school, Stefan?
Stefan smiles and happily
does as he’s told.
STEFAN
I was going home for lunch when those guys
tried to jump me. Where’s David?
LIBRARY BASEMENT
David locks the basement garage door and
slides a large metal bar across the doors. He goes to the cage and unlocks it.
He opens the creaky chain link fence door.
David carries the last remaining box into
the cage and places it on a small table.
He looks around the basement before opening the box.
The box is filled with cases of rifle and
pistol ammo. David takes cases out
and walks to the back of the cage to a locked footlocker. He stops and looks down at the pad
lock.
DAVID
Crap.
STEFAN
What?
Startled, David jumps a
little bit.
DAVID
Stevie? Shouldn’t you be at school?
STEFAN
Cool!!
Stefan gets to the box on the table before
David. The boy begins pulling ammo
out.
STEFAN
Let me see some of it.
DAVID
No.
(pulling ammo out of
Stefans hands)
Stop. Why aren’t you in school?
STEFAN
Charlie and his thugs were chasing me; I
bet they’d leave me alone if I had a gun.
DAVID
I bet you’d shoot
yourself in the foot then you’d be unable to run away.
STEFAN
Whatever, I can shoot, my dad use to take
me shooting at Eye hole all the time. . .
But anyway, I can shoot.
David takes the last box of ammo from
Stefan’s hands and slams the flaps of the box shut.
STEFAN
(attention on a bike
hanging from ceiling)
Or if I had that bike I could ride away
from them instead of running. Why
do you have a bike in here?
David sets the ammo down
on the locked footlocker.
DAVID
Just in case my truck doesn’t start. It’s a long walk.
Stefan begins milling around the cage.
STEFAN
Why do you have all this
stuff? Water, M-R-E’s, what are
MRE’S?
DAVID
Meals Ready to Eat, army
food. Now stop touching everything.
STEFAN
My dad hated these.
DAVID
So do you want me to drive you back to
school?
STEFAN
Nah, they’re probably gone by now. Besides I can hang out here.
(He spots the new shipment of books)
I can help you unload these books.
Stefan hurries over to the books. David quickly follows him out, locking
the cage behind him.
DAVID
Nope, let’s go.
STEFAN
Ahhh, Davie!! Come on!!!
DAVID
(sarcastically)
Ahhh, Stevie, Let’s go!!
STEFAN
Don’t call me that.
DAVID
Well don’t call me Davie.
EXT. LIBRARY
David and Stefan walk out the large front
doors of the library. Margaret
waters some flowers on the front steps.
DAVID
Hey Margaret, I’m taking
Stefan back to school.
MARGARET
Okay, see ya. Bye Stevie.
STEFAN
Bye. I’ll be back tonight and help you
unload those books.
MARGARET
(Chuckles)
I look forward to
it.
As David and Stefan drive down the street
Charlie and his buddies are standing on the corner. David honks at them and Stefan flips them off. Charlie and his buddies chase after
David’s suburban.
END
OF ACT ONE
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